My earliest works emerged from the pencil, from a way of thinking close to architecture, shaped by proportion, rhythm, and the interplay of light and shadow. Working with charcoal deepened this vision and brought weight, depth, and materiality, while acrylic painting during my studies opened new dimensions of color, movement, and layering.
MY ARTISTIC JOURNEY


Château Lich
Charcoal / graphite on Canvas 40 x 50 cm • (2016)


Princely Court Estate Kolnhausen
Graphite on Canvas 40 x 50 cm • (2008)

As an architect, I learned to organize spaces and understand connections, while also witnessing how architecture in many places has lost its vision over recent decades.
Where columns once stood and facades told stories, where design conveyed dignity, proportion, and beauty, anonymous concrete structures now frequently dominate the scene, reduced to function, efficiency, and cost.
What has been lost is not architecture itself, but that aesthetic which touches people and reminds them that space can be more than a mere shell.
In my collaboration with the Buddhist master and artist Amnart Klanprachar, I found the courage to let the material speak for itself.
Inspired by his visionary approach to color, mindfulness, and artistic knowledge, I began to complement architectural clarity with openness, consciously leaving space for what emerges when one lets go.
In this way, mocha sediment became my material: not as paint, but as process. As something that flows, settles, dries, and cracks, leaving behind forms that I read, name, and transform into art.


Since 2023, I have been deepening my artistic practice through close collaboration with the renowned Buddhist master, artist, and former art professor Amnart Klanprachar, who taught for many years in Bangkok.
Through this encounter, he passed on to me his spiritual thinking in art as well as the ability to see the image anew with every brushstroke and palette knife movement, allowing spontaneous works to emerge from the moment.
This approach forms an essential foundation of my use of color and is directly reflected in my own artistic direction, particularly in working with mocha sediment as a sensory and material source of impulse.
A FORMATIVE PATH


Following Master Amnart Klanprachar's invitation to exhibit together, I organized in 2024, alongside my husband, an international charity vernissage at castle Dillich that brought together over 1500 invited guests from the worlds of art, diplomacy, and society.


As honorary founding chairwoman of art´n mocca e.V. and in close cooperation with Master Amnart Klanprachar, we create an open space for visual arts, cultural encounter, and equal opportunity for artists with disabilities, one that brings people together and makes inclusion possible.



Support the nonprofit projects for art, culture, and equal opportunity of the association art´n mocca e.V. Together we create spaces for encounter, participation, and artistic diversity.


